Performance studies /
Performance studies /
edited by Erin Striff
- Basingstoke : Palgrave Macmillan, 2003
- xii, 213 p.; 24 cm.
- Readers in cultural criticism .
- Readers in cultural criticism .
Bibliografia. Índex
Conté: Introduction: Locating Performance Studies--E. Striff. PART I. POPULAR PERFORMANCE: The Power Team: Muscular Christianity and the Spectacle of Conversion--S. Mazer. Ethnological Show Business: Footlighting the Dark Continent--B. Lindfors. Striptease: Desire, Mimetic Jeopardy, and Performing Spectators--K. Liepe-Levinson. PART II. PERFORMING BODIES/PERFORMANCE ART: The Surgical Self: Body Alteration and Identity--P. Auslander. Reconsidering Homophobia: Karen Finley's Indiscretions--L. Hart . PART III. PERFORMING HISTORIES/MEMORIES: Spectacular Suffering: Performing Presence, Absence and Witness at the U.S. Holocaust Memorial Museum--V.M. Patraka. Hearing Anita Hill and Clarence Tomas--P. Phelan. PART IV. PERFORMANCE AND DE WORLD: The Street is the Stage--R. Schechner. Culture and Performance in the Circum-Atlantic World--J. Roach. Jewels Brought Back from Bondage: Black Music and the Politics of Authenticity--P. Gilroy . PART V. PERFORMATIVITY/PERFORMANCE: Critically Queer--J. Butler. Choreographies of Gender--S.L. Foster
0333786734 (cart.) 0333786742 (rúst.)
119901
Teatre--Aspectes antropològics
Performance (Art)
572.026:792
Bibliografia. Índex
Conté: Introduction: Locating Performance Studies--E. Striff. PART I. POPULAR PERFORMANCE: The Power Team: Muscular Christianity and the Spectacle of Conversion--S. Mazer. Ethnological Show Business: Footlighting the Dark Continent--B. Lindfors. Striptease: Desire, Mimetic Jeopardy, and Performing Spectators--K. Liepe-Levinson. PART II. PERFORMING BODIES/PERFORMANCE ART: The Surgical Self: Body Alteration and Identity--P. Auslander. Reconsidering Homophobia: Karen Finley's Indiscretions--L. Hart . PART III. PERFORMING HISTORIES/MEMORIES: Spectacular Suffering: Performing Presence, Absence and Witness at the U.S. Holocaust Memorial Museum--V.M. Patraka. Hearing Anita Hill and Clarence Tomas--P. Phelan. PART IV. PERFORMANCE AND DE WORLD: The Street is the Stage--R. Schechner. Culture and Performance in the Circum-Atlantic World--J. Roach. Jewels Brought Back from Bondage: Black Music and the Politics of Authenticity--P. Gilroy . PART V. PERFORMATIVITY/PERFORMANCE: Critically Queer--J. Butler. Choreographies of Gender--S.L. Foster
0333786734 (cart.) 0333786742 (rúst.)
119901
Teatre--Aspectes antropològics
Performance (Art)
572.026:792