Making the scene : a history of stage design and technology in Europe and the United States / Oscar G. Brockett, Margaret Mitchell, Linda Hardberger

By:

Brockett, Oscar G

Contributor(s):

Material type: Text

TextPublication details: San Antonio, Tex. : Tobin Theatre Arts Fund, 2010Description: xi, 365 p. : il. , col i b/n ; 31 cmISBN:

9780292722736
0292722737

Subject(s):

Contents:

Conté: Foreword -- Preface -- Scenic design in ancient Greek and Roman theaters -- Medieval scenic design -- The Italian Renaissance -- Design in France and the Holy Roman Empire from 1640 to the early eighteenth century -- The influence of Scena per Angolo on eighteenth-century design -- Neoclassicism and romanticism: a rivalry of opposites -- Realism and naturalism -- Modernism -- American new stagecraft, Russian constructivism, epic theater, and the Bauhaus -- Post-World War II and the late twentieth century -- Epilogue: looking toward the twenty-first century

Summary: "Theatrical scene design is one of the world's most beautiful, varied, and lively art forms. Yet there are relatively few books on the subject and almost none for a general audience that combine expansive scholarship with lavish design. The work offers an unprecedented survey of the evolving context, theory, and practice of scene design from ancient Greek times to the present, coauthored by the world's best-known authority on the subject and enhanced by three hundred full-color illustrations. Individual chapters focus on Greece, Rome, Medieval Europe (including liturgical drama, street pageants, festival outdoor drama, Spanish religious drama, and royal entries), the Italian Renaissance, eighteenth-century Europe, classicism to romanticism, realism and naturalism, modernism, and contemporary scene design. Authors discuss everything from the effects of social status on theater design to the sea changes between classicism, romanticism, and naturalism and the influence of perspective-based techniques, from the classical deus ex machina and special effects in coliseums, to medieval roving stage wagons and the floating ships of the Renaissance, to the computerized practices of today's theaters. Each historical period also includes a discussion of the audience that attended these productions. Such ingenious techniques, interwoven with the sweeping beauty of scene design through the ages, combine with Oscar G. Brockett and Margaret Mitchell's keen scholarship to create a book as compelling as the art it showcases"-- Informació a la solapa de la sobrecoberta

Holdings
Item type	Current library	Home library	Call number	Copy number	Status	Date due	Barcode
Llibre	Biblioteca Barcelona	Biblioteca Barcelona BCN Lliure Accés	792.021 (09) BRO (Browse shelf(Opens below))	1	Available		1900070805

Inclou referències bibliogràfiques. Índex

"Theatrical scene design is one of the world's most beautiful, varied, and lively art forms. Yet there are relatively few books on the subject and almost none for a general audience that combine expansive scholarship with lavish design. The work offers an unprecedented survey of the evolving context, theory, and practice of scene design from ancient Greek times to the present, coauthored by the world's best-known authority on the subject and enhanced by three hundred full-color illustrations. Individual chapters focus on Greece, Rome, Medieval Europe (including liturgical drama, street pageants, festival outdoor drama, Spanish religious drama, and royal entries), the Italian Renaissance, eighteenth-century Europe, classicism to romanticism, realism and naturalism, modernism, and contemporary scene design. Authors discuss everything from the effects of social status on theater design to the sea changes between classicism, romanticism, and naturalism and the influence of perspective-based techniques, from the classical deus ex machina and special effects in coliseums, to medieval roving stage wagons and the floating ships of the Renaissance, to the computerized practices of today's theaters. Each historical period also includes a discussion of the audience that attended these productions. Such ingenious techniques, interwoven with the sweeping beauty of scene design through the ages, combine with Oscar G. Brockett and Margaret Mitchell's keen scholarship to create a book as compelling as the art it showcases"-- Informació a la solapa de la sobrecoberta

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