On the performance front : US theatre and internationalism / Charlotte M. Canning

By:

Canning, Charlotte M

Material type: Text

TextSeries: Studies in international performancePublication details: Basingstoke : Palgrave MacMillan, cop. 2015Description: xv, 312 p. : il. ; 22 cmISBN:

9780230233386

Subject(s):

Contents:

Conté: Introduction -- 1. Theatre arts: the tributary theater -- 2. Onstage I: The wedding proposal, 1927 -- 3. ANTA: the US (Inter)National Theatre -- 4. Onstage II: Hamlet, 1949 -- 5. ITI: tomorrow's theatre today -- 6. Onstage III: Porgy and Bess, 1952-1956 -- Conclusion

Summary: "On the Performance Front argues that US theatre in the twentieth century embraced the theories and practices of internationalism as a way to realize a better world and as part of the strategic reform of the theatre into a national expression. Live performance, theatre internationalists argued, could represent and reflect the nation like no other endeavour. On the Performance Front focuses on US theatre's international efforts without losing sight of either the ways these efforts mirrored those in other countries or the complex, often conflicting, relationship between internationalism and nationalism"-- Contracoberta

Holdings
Item type	Current library	Home library	Call number	Copy number	Status	Date due	Barcode
Llibre	Biblioteca Barcelona	Biblioteca Barcelona BCN Lliure Accés	792(73) CAN (Browse shelf(Opens below))	1	Available		1900070809

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Previous	No cover image available							Next
Previous	792(73).07 PERFORMANCE Environmental theater /	792(73) ANT El Teatro de los Estados Unidos : historia y crítica /	792(73) BLO Broadway : an encyclopedic guide to the history, people, and places of Times Square /	792(73) CAN On the performance front : US theatre and internationalism /	792(73) FEH Stars of the Broadway stage 1940-1967 /	792.73 GOM Las Picardías de nuestros abuelos : La pulga y otros cuplés sicalipticos : una selección /	792(73) HAD Broadway Babylon : glamour, glitz, and gossip on the Great White Way /	Next

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"On the Performance Front argues that US theatre in the twentieth century embraced the theories and practices of internationalism as a way to realize a better world and as part of the strategic reform of the theatre into a national expression. Live performance, theatre internationalists argued, could represent and reflect the nation like no other endeavour. On the Performance Front focuses on US theatre's international efforts without losing sight of either the ways these efforts mirrored those in other countries or the complex, often conflicting, relationship between internationalism and nationalism"-- Contracoberta

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