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Emotional bodies : the historical performity of emotions / edited by Dolores Martín-Moruno and Beatriz Pichel

Contributor(s): Material type: TextTextSeries: History of emotionsPublisher: Urbana : University of Illinois Press, [2019]Description: viii, 285 pàgines : il·lustracions ; 23 cmContent type:
  • text
Media type:
  • sense mediació
Carrier type:
  • volum
ISBN:
  • 9780252084713
Subject(s): Summary: What do emotions actually do? Recent work in the history of emotions and its intersections with cultural studies and new materialism has produced groundbreaking revelations around this fundamental question. In Emotional Bodies, contributors pick up these threads of inquiry to propose a much-needed theoretical framework for further studying the materiality of emotions, with an emphasis on emotions' performative nature. Drawing on diverse sources and wide-ranging theoretical approaches, they illuminate how various persons and groups-patients, criminals, medieval religious communities, revolutionary crowds, and humanitarian agencies-perform emotional practices. A section devoted to medical history examines individual bodies while a section of social and political histories studies the emergence of collective bodies. Contributors: Jon Arrizabalaga, Rob Boddice, Leticia Fernández-Fontecha, Emma Hutchison, Dolores Martín-Moruno, Piroska Nagy, Beatriz Pichel, María Rosón, Pilar León-Sanz, Bertrand Taithe, and Gian Marco Vidor
Holdings
Item type Current library Home library Call number Status Date due Barcode
Llibre Biblioteca Barcelona Biblioteca Barcelona BCN Lliure Accés 159.94 EMO (Browse shelf(Opens below)) Available 1900084591

Índex

Bibliografia pàgines 267-273

What do emotions actually do? Recent work in the history of emotions and its intersections with cultural studies and new materialism has produced groundbreaking revelations around this fundamental question. In Emotional Bodies, contributors pick up these threads of inquiry to propose a much-needed theoretical framework for further studying the materiality of emotions, with an emphasis on emotions' performative nature. Drawing on diverse sources and wide-ranging theoretical approaches, they illuminate how various persons and groups-patients, criminals, medieval religious communities, revolutionary crowds, and humanitarian agencies-perform emotional practices. A section devoted to medical history examines individual bodies while a section of social and political histories studies the emergence of collective bodies. Contributors: Jon Arrizabalaga, Rob Boddice, Leticia Fernández-Fontecha, Emma Hutchison, Dolores Martín-Moruno, Piroska Nagy, Beatriz Pichel, María Rosón, Pilar León-Sanz, Bertrand Taithe, and Gian Marco Vidor

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