Amazon cover image
Image from Amazon.com

Performing site-specific theatre : politics, place, practice / edited by Anna Birch and Joanne Tompkins

Contributor(s): Material type: TextTextSeries: Performance interventionsPublication details: Houndmills, Basingstoke, Hampshire : Palgrave Macmillan, 2012Description: 253 p. : il. ; 22 cmISBN:
  • 9780230364059 (cart.)
  • 9780230364066 (rúst.)
Subject(s): Summary: Performing Site-Specific Theatre' turns a critical eye to the increasingly popular form of site-specific performance. By re-assessing this contemporary practice, the book investigates the nature of the relationship between 'site' and 'performance.' Site-specific performance operates differently from performance that takes place within a theatre venue because it seeks to match form and content (and place and space) more finely than does theatre that takes place inside conventional venues. Yet the form also encourages an investigation of how we might understand 'site' as less fixed or less specifically geographical; it broadens the types of relevant 'spaces' we might consider. The form also enables us to address a range of performative issues, from the development of site-specific 'soundscapes' to the role of the spectator in site-specific performance.
Holdings
Item type Current library Home library Call number Copy number Status Date due Barcode
Llibre Biblioteca Barcelona Biblioteca Barcelona BCN Lliure Accés 792.94 PER (Browse shelf(Opens below)) 1 Available 1900067362

Bibliografia. Índex

Performing Site-Specific Theatre' turns a critical eye to the increasingly popular form of site-specific performance. By re-assessing this contemporary practice, the book investigates the nature of the relationship between 'site' and 'performance.' Site-specific performance operates differently from performance that takes place within a theatre venue because it seeks to match form and content (and place and space) more finely than does theatre that takes place inside conventional venues. Yet the form also encourages an investigation of how we might understand 'site' as less fixed or less specifically geographical; it broadens the types of relevant 'spaces' we might consider. The form also enables us to address a range of performative issues, from the development of site-specific 'soundscapes' to the role of the spectator in site-specific performance.

There are no comments on this title.

to post a comment.

Powered by Koha