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Shakespeare's tragedies : an introduction / Dieter Mehl

By: Material type: TextTextPublication details: Cambridge, [etc.] : Cambridge University Press, 1986Description: X, 272 p. ; 24 cmISBN:
  • 0521304237
  • 0521316901
Subject(s): Summary: "This book introduces the students and the general reader to Shakespeare's tragedies and to the problems of interpreting them. Traditional questions and answers regarding the texts, as well as their realization in performance, are examined, and it is shown how the plays do not offer easy of final solutions to the tragic dilemmas presented, but engage the reader and spectator in a debate with more than one possible outcome. Each of the tragedies (Titus Andronicus, Romeo and Juliet, Hamlet, Othello, King Lear, Macbeth, Julius Caesar, Antony and Cleopatra, Coriolanus, Timos of Athens, and Troilus and Cressida) is examined separately, with discussions of its provenance, its stage history and critical history, and of the problems associated with its categorization as part of the 'tragic' genre. He refers widely to a representative body of Shakespearian criticism, and provides a useful bibliography which indicates the best sources for a reader wishing to pursue individual themes further. The book is carefully written and should serve as a valuable introduction for anyone wanting to gain a sense of the richness of the plays and the diversity of debate and interpretation that has surrounded them." – Contracoberta
Holdings
Item type Current library Home library Call number Status Date due Barcode
Llibre Biblioteca Barcelona Biblioteca Barcelona BCN Lliure Accés 820 (shak) MEH (Browse shelf(Opens below)) Available 1900086845

Reimpressions: 1988

Bibliografia

"This book introduces the students and the general reader to Shakespeare's tragedies and to the problems of interpreting them. Traditional questions and answers regarding the texts, as well as their realization in performance, are examined, and it is shown how the plays do not offer easy of final solutions to the tragic dilemmas presented, but engage the reader and spectator in a debate with more than one possible outcome. Each of the tragedies (Titus Andronicus, Romeo and Juliet, Hamlet, Othello, King Lear, Macbeth, Julius Caesar, Antony and Cleopatra, Coriolanus, Timos of Athens, and Troilus and Cressida) is examined separately, with discussions of its provenance, its stage history and critical history, and of the problems associated with its categorization as part of the 'tragic' genre. He refers widely to a representative body of Shakespearian criticism, and provides a useful bibliography which indicates the best sources for a reader wishing to pursue individual themes further. The book is carefully written and should serve as a valuable introduction for anyone wanting to gain a sense of the richness of the plays and the diversity of debate and interpretation that has surrounded them." – Contracoberta

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