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003 ES-BaIT
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008 150928s2013 xxk rb 001 0 eng c
010 _a2902391
020 _a9781408184868
035 _ab63998488
039 9 _a201702160944
_bbarrabesfm
_c201509281305
_dalvarezrb
_c201509281159
_dalvarezrb
_c201509281158
_dalvarezrb
040 _aES-BaIT
_bcat
245 0 0 _aPostdramatic theatre and the political :
_binternational perspectives on contemporary performance /
_cedited by Karen Jürs-Munby, Jerome Carroll and Steve Giles
260 _aLondon :
_bBloomsbury,
_c2013
300 _a324 p.
504 _aInclou referències bibliogràfiques i índex
505 8 _aConté: Introduction: Postdramatic Theatre and the Political / by Jerome Carroll, Karen Jürs-Munby and Steve Giles -- Towards a Paradoxically Parallaxical Postdramatic Politics / by Brandon Woolf -- Performing Dialectics in an Age of Uncertainty, or Why Post-Brechtian [Does Not Equal] Postdramatic / by David Barnett -- Political Fictions and Fictionalisations: History as Material for Postdramatic Theatre / by Mateusz Borowski and Małgorzata Sugiera -- A Future for Tragedy? Remarks on the Political and the Postdramatic / by Hans-Thies Lehmann -- Spectres of Subjectivity: On the Fetish of Identity in (Post-)Postdramatic Choreography / by Peter M. Boenisch -- Christoph Schlingensief's Rocky Dutschke, '68: A Reassessment of Activism in Theatre / by Antje Dietze -- Postdramatic Reality Theatre and Productive Insecurity: Destabilising Encounters with the Unfamiliar in Theatre from Sydney and Berlin / by Ulrike Garde and Meg Mumford -- Postdramatic Labour in The Builders Association's Alladeen / by Shannon Jackson -- Acting, Disabled: Back to Back Theatre and the Politics of Appearance / by Theron Schmidt -- Parasitic Politics: Elfriede Jelinek's "Secondary Dramas" Abraumhalde and FaustIn and Out / by Karen Jürs-Munby -- Phenomenology and the Postdramatic: A Case Study of three plays by Ewald Palmetshofer / by Jerome Carroll -- Performing the Collective. Heiner Müller's "Alone with these Bodies" ("Allein mit diesen Leibern") as a Piece for Postdramatic Theatre / by Michael Wood
520 _a"Is postdramatic theatre political and if so how? How does it relate to Brecht's ideas of political theatre, for example? How can we account for the relationship between aesthetics and politics in new forms of theatre, playwriting, and performance? This book discuss crucial aspects of the issues raised by the postdramatic turn in theatre in the late twentieth and early twenty-first century: the status of the audience and modes of spectatorship in postdramatic theatre; the political claims of postdramatic theatre; postdramatic theatre's ongoing relationship with the dramatic tradition; its dialectical qualities, or its eschewing of the dialectic; questions of representation and the real in theatre; the role of bodies, perception, appearance and theatricality in postdramatic theatre; as well as subjectivity and agency in postdramatic theatre, dance and performance. Offering analyses of a wide range of international performance examples, scholars in this volume engage with Hans-Thies Lehmann's theoretical positions both affirmatively and critically, relating them to other approaches by thinkers ranging from early theorists such as Brecht, Adorno and Benjamin, to contemporary thinkers such as Fischer-Lichte, Rancière and other" -- Editor
650 0 4 _aArts de l'espectacle
_xAspectes polítics
_9115398
650 0 4 _aTeatre
_xAspectes polítics
_957788
650 0 4 _aTeatre polític
_xTextos dramàtics
_xHistòria i crítica
_9133319
650 0 _aTeatre postdramàtic
_9163979
700 1 _aJürs-Munby, Karen
_9133320
700 1 _aCarroll, Jerome,
_d1972-
_9133321
700 1 _aGiles, Steve
_963373
940 _aCVA15
_dIT
942 _2udc
_c1
949 _61900070111
_a792"19" POS
949 _61900070850
_a792"19" POS
999 _c121779
_d121779