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| 008 | 161114s2015 xxka||| b||| 001 0 eng|c | ||
| 010 | _a2904486 | ||
| 020 | _a9781783203376 (rúst.) | ||
| 035 | _ab68094267 | ||
| 039 | 9 |
_a201611300929 _balvarezrb _c201611300928 _dalvarezrb _c201611141146 _dalvarezrb _y201611141146 _zalvarezrb |
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| 080 | _a7.07 | ||
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_aThe artist as curator / _cedited by Celina Jeffery |
| 260 |
_aBristol, UK ; _aChicago : _bIntellect, _c2015 |
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| 300 |
_avii, 202 p. ; _c23 cm |
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| 500 | _aBibliografia. Índex | ||
| 505 | 8 | _aConté: Foreword; Introduction; Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things; Opening: The Limits of Objectivity; Commission: Metaphors and Objections; Technologies and Time: Exhibition/Catalogue; Obsessions: Heads and Images; Irony, Authenticity and the Stereotype; Memento Mori: Surrealism and Death; An Anthropological Imagination; A Social Critique of Waste; Images of Conflict and Combat; A Cosmic Philosophy: Blueprints for a New Museum; Acknowledgement; References; Note. Chapter 2: Re-Mastering MoMA: Kirk Varnedoe's 'Artist's Choice' SeriesReferences; Note; Chapter 3: 'Both Object and Subject': MoMA's Burton on Brancusi; References; Notes; Chapter 4: Curating Between Worlds: How Digital Collaborations Become Curative Projects; References; Chapter 5: Erasure: Curator as Artist; References; Notes; Chapter 6: Say My Name; Notes; Chapter 7: Performing the Curator, Curating the Performer: Abramović's Seven Easy Pieces; The Curator; The Archive; Performance; Seven Easy Pieces; References; Notes. Chapter 8: Curating the City: Collectioneering and the Affects of DisplayTempting Provenance; Material Constellations; Rhetorics of Display; A Post-Medium Wunderkammer; Typologies of Heterogeneity; References; Notes; Chapter 9: Artists Curating the Expedition | |
| 650 | 7 |
_aArtistes _xAspectes socials _2lemac _9132427 |
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| 650 | 7 |
_aArtistes com a conservadors de museus d'art _2lemac _966563 |
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| 650 | 7 |
_aConservació (Arts) _2lemac _966564 |
|
| 700 | 1 |
_aJeffery, Celina, _eed. _9137571 |
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